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    Home»Lifestyle»Artist Iqbal Hussain passes away at age 75
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    Artist Iqbal Hussain passes away at age 75

    Decapitalist NewsBy Decapitalist NewsJanuary 25, 2026012 Mins Read
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    Artist Iqbal Hussain passes away at age 75
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    The renowned painter was known for his unfiltered portrayals of life in Lahore’s ‘Heera Mandi’

    Pakistani artist Iqbal Hussain. Photo: file

    Pakistani artist Iqbal Hussain passed away earlier this week at the age of 75. A graduate of the National College of Arts (NCA), he was best known for his uncompromising portrayals of life in Lahore’s Heera Mandi, a subject he returned to throughout his career.

    Born and raised in the historic neighbourhood, Hussain painted from lived experience, featuring women from the red-light district, without embellishment or moral commentary.

    In one of the most referenced episodes of his life, Hussain’s paintings were barred from being exhibited at Lahore’s Alhamra Gallery due to their perceived impropriety. He responded by displaying the works on the foothpath outside, a moment that later became emblematic of his refusal to alter his practice for institutional approval.

    Despite facing stigma tied to his subject matter and background, Hussain went on to gain international recognition and also taught at the National College of Arts. Alongside his figurative work, he painted landscapes of the River Ravi, which became a recurring theme in his later years.

    Affectionately known as “Cuckoo,” Hussain also founded Cuckoo’s Den, the first restaurant on Lahore’s Food Street. Housed in an old haveli overlooking the Walled City, the space evolved into a cultural landmark, doubling as an informal gallery displaying his artwork, artefacts and personal collection.

    Members of the art community, former students and cultural figures have begun sharing tributes, remembering Hussain for his honesty and refusal to compromise his artistic vision.

    After finishing his studies at NCA in 1974, Mr. Hussain had dedicated his career to painting women of his abode – the red light district of Lahore. He had continued to live in the district to be close to the people he portrayed in his paintings— the men and mainly women, the denizens of the vicinity.



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